File 2 - Saskia Olde Wolbers

Exhibition: Saskia Olde Wolbers, 2005, slide 1 Exhibition: Saskia Olde Wolbers, 2005, slide 2 Exhibition: Saskia Olde Wolbers, 2005, slide 3 Exhibition: Saskia Olde Wolbers, 2005, slide 4 Exhibition: Saskia Olde Wolbers, 2005, slide 5 Exhibition: Saskia Olde Wolbers, 2005, slide 6 Exhibition: Saskia Olde Wolbers, 2005, slide 7 Exhibition: Saskia Olde Wolbers, 2005, slide 8 Exhibition: Saskia Olde Wolbers, 2005, slide 9 Exhibition: Saskia Olde Wolbers, 2005, slide 10 Exhibition: Saskia Olde Wolbers, 2005, slide 11 Exhibition: Saskia Olde Wolbers, 2005, slide 12 Exhibition: Saskia Olde Wolbers, 2005, slide 13 Exhibition: Saskia Olde Wolbers, 2005, slide 14 Exhibition: Saskia Olde Wolbers, 2005, slide 15 Exhibition: Saskia Olde Wolbers, 2005, slide 16 Exhibition: Saskia Olde Wolbers, 2005, slide 17 Exhibition: Saskia Olde Wolbers, 2005, slide 18 Exhibition: Saskia Olde Wolbers, 2005, slide 19 Exhibition: Saskia Olde Wolbers, 2005, slide 20 Exhibition: Saskia Olde Wolbers, 2005, slide 21 Exhibition: Saskia Olde Wolbers, 2005, slide 22 Exhibition: Saskia Olde Wolbers, 2005, slide 23

Reference code

GB 359 SLG-SLI-2005-2

Title

Saskia Olde Wolbers

Date(s)

  • 2005 (Creation)

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23 colour slides

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(1868 to present)

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Photographs of the film 'Trailer' by Saskia Olde Wolbers, shown at the South London Gallery from 18 May to 17 July 2005. Trailer tells the story of a man watching a trailer for a movie. He is a middle aged man, named Alfgar Dalio, who we hear but never see and he describes his discovery that his real parents, who he has never known, were c-list actors in the Thirties. While watching a trailer for a film, he learns that his parents disappeared in the jungle shooting their last film and subsequently two species of venomous plants were named after them: Elmore Vella, a species of flytrap, and Ring Kittle, an ancient red back tree. Alfgar Dalio was named after a moth that became homeless when his mother’s addiction to the flytrap caused its extinction. Elmore Vella and Ring Kettle often played roles too minor for them to be included in film credits, so Dalio spends his days in cinemas watching old black and white movies made by their studio, Roxboro, in the hope that one of his parents might make an appearance. He lived his life on the trail of his parents, constantly searching for clues of a long-forgotten shared history. In Trailer, scenes alternated between the maroon coloured interior of a cinema and an extraordinary jungle. In fact, these were painstakingly hand crafted sets, manipulated in various ways to create work in which boundaries between film, sculpture, installation and painting are redefined.

The exhibition was supported by the Henry Moore Foundation, Vicky Hughes and John Smith, and Maureen Paley, London. Media Sponsor: Pluk Magazine.

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The images in this catalogue are for your own personal non-commercial use only. All images are copyright of the artist or artists whose work is shown in the image (or their estate), and the photographer.

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